Canson Infinity Platine Fibre Rag Paper (17 x 22″, 25 Sheets)
$108.00
In stock
Description
With an aesthetic and feel mimicking that of F-type smooth satin fiber paper from the darkroom, Platine Fibre Rag Paper from Canson Infinity sets a standard for printing in the digital age. Available here as a 25-pack of 17 x 22″ sheets, the 100% cotton paper has the latest microporous coating along with the classic platinum/platine finish for bringing a darkroom look to digital printing. The 310 gsm paper also has a thickness of 15.6 mil and is rated with a whiteness of 89.12%. The paper is acid free and internally buffered for longevity and benefits from instant drying and a high water resistance to ensure no damage during handling.
Additional information
| Weight | 6.22 lbs |
|---|---|
| Dimensions | 23.4 × 17.9 × 1.9 in |
| Material | Cotton Rag |
| Basis Weight | 310 gsm |
| Thickness | 15.6 mil / 0.4 mm |
| Whiteness | 89% |
| Single/Double-Sided | Single |
| OBA Content | No |
| Surface Finish | Luster |
| Quantity | 25 Sheets |
| Sheet Size (W x L) | 17 x 22" / 43.2 x 55.9 cm |
Reviews (123)
123 reviews for Canson Infinity Platine Fibre Rag Paper (17 x 22″, 25 Sheets)
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Khalil Davis (verified owner) –
This was once very good paper, but now the paper is curved so it doesn’t load into the printer correct. This causes the printer to jam frequently. I had to throw out two boxes of this paper. Additionally, the final prints has vertical lines running through them. We went back to spending a little more with the Epson Platine. We found the Epson paper to be thicker and much more reliable. It is a bit sickening to see a $5 sheet of paper get ruin and to experience this several times in a row was the last draw.
Forest Schmeler (verified owner) –
It is really a good paper to turn images into photographs.
Alfreda Marquardt (verified owner) –
I use this for my photography and I love the way my photographs turn out on the paper. I have showed some of my friends and they the paper helps give a professional quality look to my print.
Kraig Botsford (verified owner) –
Very fine paper, bright white with no brighteners; look and feel of traditional wet dark room silver gelatin papers.
Maud Koelpin (verified owner) –
I’ve printed hundreds of sheets of Platine over the past five years and haven’t been tempted to try others. Beautiful, consistent quality. It has a lovely, weighty feel and heft that impresses with its quality when you’ll be showing unmounted prints to people.
Leonora Daugherty (verified owner) –
Meets all my expectations, whether printing on Epson P800 or Canon PROGRAF P4100.
Linnie Terry (verified owner) –
Beautiful, heavy fiber paper with some gloss to it.Only problem: if you try to trim the paper to the edge of the printed image, the edges tend to flake off.
Jane Schmeler (verified owner) –
Great paper
Lilyan Rutherford (verified owner) –
I’ve told my wife that I’ve fallen totally in love with a paper. I’ve wanted to shift to a non-OBA paper with reasonable brightness and a touch of warmth to replicate plein air principles of warm light/cool shadows for landscapes on an Epson 3880 in ABW mode. While I’m also a fan of Harman Gloss Baryta, there is just something magical about how everything comes together with this cotton-based Canson Platine paper (I use Eric Chan’s ABW ICC profile for this paper). With the right inkjet toning, it just absolutely pops. There’s just a hint of structure to the stiple that, if anything, brings out the details even more with the smooth ISO 50 photographs I take with a Sigma DP1. I love the way reflections break up into a thousand points of light when you view the paper off-angle instead of seeing a big light blob. The stiple forces you to look at the paper at just the right angle, but if you go off-angle, it’s still a pleasing experience. The depth and richness of the images are just magical. I’m sure there are (slightly) brighter papers, papers with (slightly) higher DMax, papers (slightly) more neutral across the entire spectrum (there is indeed a modest rise in the red for the warmish highlights), (slightly) smoother, (slightly) glossier, maybe (slightly) more detailed under a loupe. I don’t care anymore. It just works top to bottom. And I can tone this paper warm or cool, it excels at both. I can make it act like Harman Baryta Warmtone (super cream) or Ilford Gallerie RC (super blue). It tones beautifully with Epson’s ABW color wheel and is worth fully exploring with test patches to find the highest contrast points for your preferred tone. For example, try Hor 25 Ver -40 (fairly strong violet with purple/blue bias to complement the very slight yellow/cream cast of the paper) if you want to see the highlights and shadows pop into high relief while opening up the mid tones with just a touch of warmth. Just amazing. No problem with head strikes either, very easy to handle. I’m sold. The only downside is it’s expensive, so use for treasured photographs and fine art projects that you want to last for a lifetime (or several).
Arnaldo Dickens (verified owner) –
This paper is good for fine art and color printing. However the surface is sensitive to wear or abrasions. Ideally I was trying to Print b/w but b/w is better on the Baryta Paper. Nice rich black tones.- THEFOTODESK
Candelario Steuber (verified owner) –
I really like the results of this paper. It runs a bit warm but, after using a ton of Luster, It’s nice to have a bit of warmth in my photos. My only complaint is that the paper is thick enough to have to widen the platen gap to avoid hitting the print heads from paper curl. All in all, I think this paper is definitely worth the price.
Paxton Spencer (verified owner) –
The canson has become my go to paper!
Jacynthe Muller (verified owner) –
If your serious about producing fine art prints this paper for color prints will not disappoint.
Travon Daniel (verified owner) –
Result is Amazing
Katelyn Feest (verified owner) –
This is just such great paper. I print with a Canon Pro-100 and my prints easily match top professional prints I’ve compared with. I print color and b&w very faithfully with Canson’s profile.
Addie Mraz (verified owner) –
My go to paper for black & white images. Great DMax, consistent results
Ubaldo Hoeger (verified owner) –
The images that I’ve printed on this paper have turned out outstanding. After hunting for a quality paper I decided to try the Platine Fibre Rag after watching Robert Rodrigues, Jr.’s brief presentation on it. Despite its cost, I’ve adopted it along with Canson’s PhotoSatin Premium RC as my papers of choice. The Platine is relatively expensive, but the printed results using Canon’s Pixma Pro-10 more than compensates for the cost. It is what Rodrigues indicated it was and then some!
Opal Krajcik (verified owner) –
I am a professional photographer, I photograph landscape. This is the best paper that I can get in the market.
Effie Kunde (verified owner) –
Love this paper for B&W prints
Faustino Homenick (verified owner) –
I bought this after reading an on-line review. I use this paper in my Epson 3880. Quite frankly, I was astonished at the quality of the prints. The paper is heavy (310 gm) with a slightly warm tone. It is considered a gloss finish but it has a texture and acts much more like a luster finish. Its ability to capture fine detail is just astonishing. Overnight this has become my paper of choice in this printer.