The 44″ x 50′ roll of Epson Hot Press Bright Archival Inkjet Paper is an acid free, 100% cotton rag media with a smooth matte finish and a 96% ISO brightness rating. The paper features a high color gamut and black density.
Epson Hot Press Bright Archival Inkjet Paper (44″ x 50′ Roll)
$194.35
In stock
Description
Additional information
Weight | 16.85 lbs |
---|---|
Dimensions | 46 × 6.5 × 6.4 in |
Basis Weight | 500 gsm |
Thickness | 16 mil / 0.4064 mm |
Opacity | 98% |
Brightness | 96% |
Single/Double-Sided | Single |
Surface Finish | Matte |
Dimensions (W x L) | 44" x 50' / 111.8 cm x 15.2 m |
Reviews (180)
180 reviews for Epson Hot Press Bright Archival Inkjet Paper (44″ x 50′ Roll)
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Jeffery O’Hara (verified owner) –
Great
Joshuah Eichmann (verified owner) –
Excellent color. Reds are a little warmer than Moab Entrada. Cooler colors are about the same. Very nice color saturation. Has a very smooth finish. A heavy, stiff paper – make sure your printer will handle it. My Epson 3800 handles it just fine. Nice print job on misty/foggy photo topics. I shoot mostly landscapes.
Pascale Johns (verified owner) –
Was a long time user of hot press natural and thought I found my go to paper and much prefer a mat finish rather than glossy or semi gloss. Out of curiosity I decided to try hot press bright and it didn’t disappoint great color and blacks and prefer it over the natural.
Gregory Boyle (verified owner) –
This paper is a bit expensive, but for a matte paper it can provide unusually bright, saturated images – comparable to glossy. I just completed a set of 32x40prints of stacked macro images of flowers for a physicians office and did a test of framed Epson Premium Luster behind glass vs. Hot Press Bright mounted on 3/16 Gator and floated on 3/4 French cleats without glass. The Hot Press Bright images are stunning – WAY more impressive than luster behind glass – the client LOVES it.
Triston Wunsch (verified owner) –
This paper is a bit whiter and crisper than Epson fine art ultra-smooth. I like it better after seeing the difference in print quality. I generally print color composite fine art images.
Lesly Volkman (verified owner) –
Great
Lavada Dibbert (verified owner) –
feeds easily and produces nice, contrasty prints–not dull. i use this paper for landscape color prints. the recommended printer setting for my epson 3800 is ultrasmooth but do not forget that with this setting, you have to check the centered box in the printable area option if you want the print centered on the sheet.
Cade Glover (verified owner) –
Hot Press Bright is one of my favorite matte fine art papers. Great colors, good detail, snd rich texture. Buying it by the roll makes great sense economically.
Imogene Cartwright (verified owner) –
I have been using this paper to print my mixed media and oil paintings with my Epson Surecolor P7000. I find the colors come out vibrant and the details are super clear! I love it
Sabina Adams (verified owner) –
I’m a fine art photographer. Used this paper to print one of my artworks for a show and I could not be more pleased. The print really pops – looks 3D actually. This paper has nice weight and a wonderful nice matte finish. I’ve read about the brightener debate – I’m putting my trust in Epson on that one.
Doris Armstrong (verified owner) –
I have been using Epson Hot Press Bright Paper for several years now. I love the heavy weight of the paper and how it makes my fine art photography always look as if I hand painted it! I have an Epson printer and the inks plus paper make all my art looking perfect.
Tianna Leuschke (verified owner) –
Love this paper. The colors are rich and the details are sharp.
Brannon Kihn (verified owner) –
This is one of my favorite fine art papers when I want a smooth finish with great blacks and bright whites in my black and white prints. It is also great for colors. If you haven’t tried this paper you are missing out. For portraits where I was a more subtle highlight I use the hot press natural.
Drew Dach (verified owner) –
Reproduces color beautifully.
Aletha Bartell (verified owner) –
Epson Hot Press Bright is one of my favorite matte papers made. It’s very similar to Hanemuhle Photo Rag Ultra Smooth, which is likely my favorite of all.
Diana Satterfield (verified owner) –
I have been exploring various papers for use with my Epson 3880 and I have found this paper to be superb when I need a bright white and good dmax. I also use natural and cold press. I find myself printing more and more on matte rather that luster or satin now that I have found these excellent paper. Weight is good which if selling unframed would impress a buyer. There are numerous excellent papers out there today and it is hard to choose but you won’t have an issue with this and compared to epson velvet, your gamut range will be better. 5 thumbs up to B&H also for providing the best packaging of paper products. Epson does a good job but the B&H shipping team makes sure that your paper will arrive without a bent edge.
Araceli Sipes (verified owner) –
I shoot 4×5 and 8×10 film so detail is everything. EHPB delivers the detail and richness required by my images, the matt finish provides depth that I do not find in glossy.My world is not glossy why should my paper be?
Reynold D’Amore (verified owner) –
I was printing 21 17×17 images for a gallery show. After the first few prints I started noticing tiny gray/black specks in the white/unprinted border areas. Never at the same spot, never more then 2 or 3. Of course I thought this had to be a printer issue. (Epson SC P800). I spend hours with Epson customer service trying to take care of the problem. After wasting about 50 sheets they gave up and told me to bring the printer to a service center. They checked it for two days and told me the printer was in great shape and to bring some of the paper I was printing on. Long story short, the specks were there before the paper ever entered the printer. You don’t see it at all in the darker areas but in the white and light areas the are clearly visible and once you put the print under museum glass they get even worse. It took 70 sheets to get 21 good ones in the end. NEVER again.
Oswald Pagac (verified owner) –
Beautiful tooth, bright white, strong and sturdy paper for use with your best (archival) projects. It IS expensive, but is worth it for both black & white and color images.
Gina Pfeffer (verified owner) –
Best for images with vivid color in clean light. It’s not so white that skin tones get weird. It’s good for stark BW images too. I soft proof in Lightroom and Photoshop with the Epson provided profiles. I get the most wow factor from people when I print the right image on this paper.