Epson Exhibition Fiber Paper (8.5 x 11″, 25 Sheets)
$25.06
In stock
Description
Replicating the appearance and feel of a traditional F-surface darkroom paper, Epson Exhibition Fiber Paper aims to provide users with a beautiful soft gloss finish for their digital prints. A fiber base offers a professional feel with a weight of 325 gsm and thickness of 13 mil, making it an excellent choice for galleries and exhibitions. Also, by utilizing some optical brightening agents the paper is able to reach a whiteness of 147% and a brightness of 111%. This makes it possible to create prints with deep blacks and subtle tonal gradations, suitable for advanced black-and-white printing as well as long-lasting color prints. Additionally, this paper is instant drying.
This paper is available here as a 25-pack of 8.5 x 11″ sheets.
Additional information
| Weight | 1.5 lbs |
|---|---|
| Dimensions | 11.4 × 8.8 × 0.8 in |
| Material | Alpha Cellulose |
| Basis Weight | 325 gsm |
| Thickness | 13 mil / 0.33 mm |
| Brightness | 111% |
| Whiteness | 147% |
| Single/Double-Sided | Single |
| OBA Content | Yes |
| Surface Finish | Glossy |
| Storage Temperature | 68 to 77°F / 20 to 25°C |
| Storage Humidity | 40 to 60% |
| Quantity | 25 Sheets |
| Sheet Size (W x L) | 8.5 x 11" / 21.6 x 27.94 cm |
Reviews (373)
373 reviews for Epson Exhibition Fiber Paper (8.5 x 11″, 25 Sheets)
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Hilbert Auer (verified owner) –
This paper has a solid and weighty feel that is noticed by clients compared with the lesser papers offered by so many places. It shows very well under glass. Color hold out is wonderful. When customers can feel a difference, the perceived value is higher. I rate this product very well.
Nichole Braun (verified owner) –
It takes ink very well, but you should let the print dry for 24 hrs. before mounting. Just to be safe.
Tatum Dicki (verified owner) –
I like this paper a lot and use on the 3880 and the images look great.
Anne White (verified owner) –
This paper is incredible in tonal values. I print with an Epson 9900 and it exceeded my expectations, especially in the blacks.
Dorthy Lueilwitz (verified owner) –
My favorite non-mat finish paper. Mostly print color on this paper but exhibits B&W beautifully as well…
Kamille Boyle (verified owner) –
Like it.
Rosalind Roob (verified owner) –
The results will leave you speechless. This paper will make the good image look great. This paper works best if you are going to print then immediately mount and frame. Handling should be done with care.
Kendra Satterfield (verified owner) –
I’m extremely unhappy with the last roll I received. So far, in the first 3-4 feet of the roll, there appear to be random dark specks in the paper. These keep showing up in the skies of my images as I print them, causing me to have to start over and wasting a ton of ink. I’m done with this paper!
Kameron Gerlach (verified owner) –
This paper comes close (but does not quite match) what you can get from a darkroom for black and white. The tonality gradations are very fine indeed. A copy of a darkroom print, printed out on this paper is very close to the original – except for the texture of the surface. But, even that is pleasing.
Tad Kuvalis (verified owner) –
This is my favorite paper. The color reproduction is beautiful. The weight of the paper makes it lay very flat, great for mounting. The surface reminds of the old black and white glossy paper we would dry without glossing. If you like Epson’s luster, you will love Exhibition Fiber.
Timothy Kerluke (verified owner) –
I’ve been photographing for almost half a century. When I retooled to do photography digitally, I loved the new papers but I still missed the old B&W standard, Polycontrast F. Now the old B&W standard is back for digital photographers to explore anew. This is a wonderful paper with a great semigloss surface and terrific blacks on a pure white background. It’s expensive, but used in the correct way, absolutely fantastic…..
Terry Dickens (verified owner) –
This makes the best exhibition prints when printed with Epson’s 4900. The contrast, sharpness, and color saturation are the best I’ve seen. If you are looking to frame and exhibit your photography, look no further.
Adelia Simonis (verified owner) –
So far, my work is looking beautiful on this paper. I am new to paper, so still experimenting.
Kiley Howe (verified owner) –
Everything about this paper is first class. Great for a bright white paper. I would like to see this paper produced in a slightly warm white option also.
Marcellus Hintz (verified owner) –
In my opinion, it is better than Epson’s Premium Luster, but not by much. It is a nice thick paper, which I enjoy but I feel that the surface quality is similar to the Luster, which cheapens it a little. The thing I was most unhappy about is that although I used the Epson color profile for this paper and printed on the Epson 4880, the prints came out much too warm (in a yellowish green sense) and just off in color in general. Took a lot of color correction to make it print as I wanted it too. I much prefer the Ultra Smooth Fine Art.
Lauretta Parisian (verified owner) –
I was blown away by the dynamic color range of this glossy paper. I have strayed away from glossy finish paper in favor of matt paper however the vibrant range of color on this paper is amazing!
Barton Kassulke (verified owner) –
I mostly use this paper for all my prints. I love the rich colors and texture of the paper. It produces consistent results.
Mandy Macejkovic (verified owner) –
Beware: You need to blow off small paper bits off surface before you print that are sticking to front surface.
Antonetta Bashirian (verified owner) –
A noticeable improvement over Epson Premium Luster paper for B&W prints.
Jacey Heaney (verified owner) –
This product is not the quality of hanemhule baryta 325 for the same price, but I purchased it on special sale for $ per 25 sheets and find it good for making photo album, but perfer hanamhule for framing….better texture and ink handling.