Replicating the appearance and feel of a traditional F-surface darkroom paper, Epson Exhibition Fiber Paper aims to provide users with a beautiful soft gloss finish for their digital prints. A fiber base offers a professional feel with a weight of 325 gsm and thickness of 13 mil, making it an excellent choice for galleries and exhibitions. Also, by utilizing some optical brightening agents the paper is able to reach a whiteness of 147% and a brightness of 111%. This makes it possible to create prints with deep blacks and subtle tonal gradations, suitable for advanced black-and-white printing as well as long-lasting color prints. Additionally, this paper is instant drying.
This paper is available here as a 25-pack of 13 x 19″ sheets.
Alexandrine Mayer (verified owner) –
I use this for B+W exhibition printing. It has surface and paper weight that works for me. No cons.
Wilfred Leannon (verified owner) –
This makes the best exhibition prints when printed with Epson’s 4900. The contrast, sharpness, and color saturation are the best I’ve seen. If you are looking to frame and exhibit your photography, look no further.
Geoffrey Kuhic (verified owner) –
I print color images for gallery presentation and find color rendition to be of consistent high fidelity image after image. Careful handling with gloves prevents surface scratching, which has been to be the only problem with this exceptional paper.
Era Rowe (verified owner) –
It doesn’t say on the box that this paper is intended to use omly for printers Epson Stylus Photo R2400 or better. Only after buying it and after reading instructions inside the box I found out that it is not intended for the Epson Stylus Photo R1900 printer.
Marco Ward (verified owner) –
For those familiar with ‘traditional’ dark-room printing, this paper reminds me of a pearl type finish. It was a bit glossy for my taste but I usually print on Moab Entrada (a matte paper). Dmax seems quite good (no measurement taken).
Thalia Stark (verified owner) –
Best photographic paper for inkjet I’ve used. It is super white – the highlights seem more brilliant and the shadows indeed do hold more detail. Color shifts and gloss differential are less pronounced than with luster or gloss papers, and an improvement in color gradations is noticeable over these papers. Nice thickness makes it easier to handle too.
Isadore Schuster (verified owner) –
Great surface and results. Exhibition quality at a low price.
Rachael Gottlieb (verified owner) –
Great color, deep blacks, sharp images and heavy weight.
Bryon Stokes (verified owner) –
This is an great paper. It reproduces faithfully what I have on my screen.
Lenny Bins (verified owner) –
As one might expect from the product title, the paper is used to make exhibition quality color prints for portfolios. The surface is excellent, a real improvement over the glossies of days gone by. The available sizes, however, are a problem; they don’t match the geometry of the large format cameras I use. The 8.5 X 11 is OK, but small. The 13 X 19 is usually too large; often I cut a sheet in half.
Zoila Homenick (verified owner) –
Beautiful tonal range. Looks and feels like old style photo paper.
Tiffany Altenwerth (verified owner) –
It takes ink very well, but you should let the print dry for 24 hrs. before mounting. Just to be safe.
Brain King (verified owner) –
Very good looking for final printing
Jose Jakubowski (verified owner) –
I ran the Exhibition Fiber through an Epson 4880 and had two main issues. The paper was so curled at the beginning that the print head kept hitting the leading edge of the paper leaving ink marks. Each time I had to release the roll and do an opposit curl on the leading edge. I also noticed scratch marks on the print as well from the machine. Love the paper just not how it preformed in the machine.
Jeffrey Hodkiewicz (verified owner) –
I make 22 x 28 prints on Exhibition fiber paper with an Epson 7880 inkjet printer.. Although the paper and resulting images are beautiful, often times the paper has some kind of fibers on it. Sometimes it has dust or even a small marking and even once a hair.These sheets I save to use as test prints because the paper is unreliable in printing. Also, the surface, once cured, scratches easily. Utmost care has to be taken while storing and framing.
Conrad Mueller (verified owner) –
I think this is among the best digital papers around. It gives good blacks and pretty good whites. The semi-gloss finish gives good crisp results. Its also a sturdy paper.
Hildegard Hickle (verified owner) –
I was having some issues with a third-party paper in my SCP-800 so I tried the Epson product and am happy to say it worked very well. Nice, bright whites and good density; the prints resemble silver prints on air-dried glossy fiber paper. But that’s the whole point, isn’t it?
Fritz Connelly (verified owner) –
I read good number of reviews how great this paper is I decided to try it. Epson 2880. The good: This paper renders the images very well, contrast, sharpness, color… all good. The bad: There are always some little specs pilling of the, which is very frustrating. Printer gap is set to max. I cleaned with soft brush and air blower before printing… I did everything by the book. Curls- the edges of this paper will curl big time before print and even more after print. I would not print on this paper anything important.
Howell Fahey (verified owner) –
For some pictures it is hard to beat…
Breanne Rempel (verified owner) –
This product is not the quality of hanemhule baryta 325 for the same price, but I purchased it on special sale for $ per 25 sheets and find it good for making photo album, but perfer hanamhule for framing….better texture and ink handling.