Epson Exhibition Fiber Photo Inkjet Paper (24″ x 50′ Roll)
$144.00
In stock
Description
The 24″ x 50′ of Epson Exhibition Fiber Photo Inkjet Paper features a 12 mil thickness and a gloss finish. This fiber-based photo paper is designed for color as well as black and white prints and features an ISO brightness rating of 111%
Additional information
| Weight | 8 lbs |
|---|---|
| Dimensions | 25.25 × 5.5 × 5.5 in |
| Basis Weight | 325 gsm |
| Thickness | 12 mil / 0.3047 mm |
| Brightness | 111% |
| Single/Double-Sided | Single |
| Surface Finish | Glossy |
| Dimensions (W x L) | 24" x 50' / 61 cm x 15.2 m |
Reviews (373)
373 reviews for Epson Exhibition Fiber Photo Inkjet Paper (24″ x 50′ Roll)
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Mertie Stark (verified owner) –
This is great paper for portfolios it is thick so great for handling. The only problem I have with it is the slight tooth or texture the paper has. It is not totally smooth. That being said I still use and love it.
Dixie Becker (verified owner) –
I’ve been struggling for years trying to find the right combination of printer, paper, print settings and ICC profiles to create prints that I would consider exhibition quality. Now that I have my workflow tweaked, I am producing 16×20 prints that my clients consider museum quality. There is something very special about the surface of the Epson Exhibition Fiber Paper that immediately evokes a high quality and special feel response. Not quite glossy and certainly not matte, the surface has an unmistakable fine art feel to it, but it does require adhering to a consistent workflow. The paper is not one of the printer default standards bundled with the operating system. I print with the Epson 3800, using a Mac, and downloaded ICC profiles from Epson specifically for this paper (it comes up as SP 3800 EFP_PK2880). In the printer dialog box check Let Photoshop Decide Colors and then select the appropriate ICC profile. In the printer settings box in the print driver, choose Ultra Premium Photo Paper Lustre and set reproduction at 2880×1440. This is critical since there is no setting for Exhibition Fiber Paper and this selection tells the printer to select Glossy Black ink. I have also found the best results with a 360 dpi setting when sizing the prints and also found that nik’s Sharpener Pro 3.0 gave just the right amount of sharpening, even to continuous tone areas with smooth bokeh. The paper is expensive and requires a craftsman-like approach but it rewards the diligent.
Irma Kemmer (verified owner) –
I am using this paper as a replacement for Canson Baryta, and I think It performs at least as well as the Canson. The images seem to have a great dynamic range (based on a non-scientific evaluation), bright with a lot of depth. I love the heaviness of the paper also.
Webster Robel (verified owner) –
I was excited to make a larger print on Exhibition Fiber after seeing the proof on the 8 1/2 x 11 Exhibition Fiber. Unfortunately, the coating appeared defective on the 17×22. I sent it back and am waiting for my new box.
Elfrieda Zulauf (verified owner) –
I like the thickness of this paper.. And the print quality is very good. As rich as the Luster paper, only much heavier..
Alejandra Jaskolski (verified owner) –
Wonderful color and rich detail and textures.
Ethelyn Swift (verified owner) –
I mostly use this paper for all my prints. I love the rich colors and texture of the paper. It produces consistent results.
Chadd Runolfsdottir (verified owner) –
I have been fully pleased with this paper since I first started using it. Print quality is superb on my Epson printers (2400, 7800) and it lays flat. Hopefully the price will flatten out a bit at some point.
Faye Crona (verified owner) –
I’ve been using this paper for a while now. Color fidelity, weight, texture and DMax are spectacular. Simply beautiful paper.
Kenton Renner (verified owner) –
This Epson Paper is consistently outstanding and my clients really appreciate it!
Luella Funk (verified owner) –
This paper produces stunning results. The color, clarity and tone are unmatched. You’ll want to walk into any scene displayed.
Kole Medhurst (verified owner) –
Everything about this paper is first class. Great for a bright white paper. I would like to see this paper produced in a slightly warm white option also.
Rafaela Ondricka (verified owner) –
I have used this for a long time. It is a good paper and makes me look better than I am.
Corbin Tromp (verified owner) –
After printing out some of my images on this paper. I find it to be more vivid and have nice aesthetic rendering that is more pleasing than Epson’s Glossy and Luster offerings. This paper renders warmer than Epson’s Luster, appears to make greens a bit lusher. When a value is 100% white, there is less appearance of lack of gloss differential versus glossy due to the small scale paper stipple, which I find appealing.
Kaelyn Glover (verified owner) –
I usually use Luster but use this heavier weight when printing large because it lies flater behind glass. The color does change a bit between Luster and Exh Fiber btw.
Daisy Hagenes (verified owner) –
I’ve been photographing for almost half a century. When I retooled to do photography digitally, I loved the new papers but I still missed the old B&W standard, Polycontrast F. Now the old B&W standard is back for digital photographers to explore anew. This is a wonderful paper with a great semigloss surface and terrific blacks on a pure white background. It’s expensive, but used in the correct way, absolutely fantastic…..
Judah Cruickshank (verified owner) –
After I finally unboxed my Epson 3880 (after sitting unopened for over 2 years!) I struggled to get a good print out of it. I was concerned it may be the old ink, but test sheets showed no issues with the head, etc. Of course I used the NEC monitor calibrator, paper profiles, and all the other things that were recommended, but the images came out muddy, dark, and dull. At the time I purchased about 5 different Epson papers that I thought might be good for my type of image but one after another, the only thing that the printer produced were lack-luster images – and no where near like what was on the NEC monitor. Since one of the papers that I purchased was the Exhibition Fiber, I tried that next — I couldn’t believe what a difference that made! The same images that were dull and dark, were now sharp, vibrant, and exactly like the monitor! It was like the printer suddenly came to life. Although I think there might be some images where I may want to use the other paper, for the most part, I’m sold on the Exhibition Fiber.
Gideon McLaughlin (verified owner) –
I am using this paper with an Epson 3880 and the results are pretty good. Getting borderless prints is tricky – the paper tends to skew. Do NOT feed sheet multiple sheets. As the paper drags across the other sheets in the feeder, it will mar the next sheet and damage the finish. I also set the platen gap to wide in the Epson driver; otherwise, the edges can be rough from the print head (guessing about this). The prints look good, but I prefer something with less shine. I would NOT buy this paper in a roll – it’s very thick and removing any curl would probably be very difficult.
Dorcas Zemlak (verified owner) –
I ordered this not realizing that it’s designed specifically for K3. After some trial and error, it produces very fine portrait prints. Paper Type: Ultra Premium Luster ICC: SPR2000: Premium Luster. Skin tones are accurate and are very well saturated. Bottom line: For UltraChrome ink, this produces very good results, but there are better choices for R2000.
Mariane Hessel (verified owner) –
Excellent tonal range and lovely photographic paper surface. Great blacks.