The 64″ x 50′ of Epson Exhibition Fiber Photo Inkjet Paper features a 12 mil thickness and a gloss finish. This fiber-based photo paper is designed for color as well as black and white prints and features an ISO brightness rating of 111%
Epson Exhibition Fiber Photo Inkjet Paper (64″ x 50′ Roll)
$449.25
In stock
Description
Additional information
Weight | 21.7 lbs |
---|---|
Dimensions | 65.9 × 5.5 × 5.3 in |
Basis Weight | 325 gsm |
Thickness | 12 mil / 0.3047 mm |
Brightness | 111% |
Single/Double-Sided | Single |
Surface Finish | Glossy |
Dimensions (W x L) | 64" x 50' / 163 cm x 15.2 m |
Reviews (373)
373 reviews for Epson Exhibition Fiber Photo Inkjet Paper (64″ x 50′ Roll)
Only logged in customers who have purchased this product may leave a review.
Related products
Printer Paper
$230.97
Printer Paper
Rated 4.50 out of 5
$87.63
Printer Paper
Rated 5.00 out of 5
$192.80
$314.21
Rated 5.00 out of 5
$75.50
Printer Paper
$342.52
Printer Paper
Rated 4.57 out of 5
$90.00
George Hill (verified owner) –
After printing out some of my images on this paper. I find it to be more vivid and have nice aesthetic rendering that is more pleasing than Epson’s Glossy and Luster offerings. This paper renders warmer than Epson’s Luster, appears to make greens a bit lusher. When a value is 100% white, there is less appearance of lack of gloss differential versus glossy due to the small scale paper stipple, which I find appealing.
Mekhi Hoppe (verified owner) –
I am preparing for my first exhibition and my portfolio contains both black/white and color prints. Endless research kept me coming back to Epson Exhibition Fiber paper so that is what I ordered. Paper, like any other part of photography, is personal taste but when the first print starting rolling off my six year old Epson 3800 I could not beleive the color depth and sharpness of the prints. I am a generalist photography shooting Rudgy, dance, landscapes and portraits. No other paper that I have used before suits the type of work that I want to present. The semi gloss surface is exception in bringing out the saturation of the colors without the ever present glare that some papers offer. It also has the quality feel of the old darkroom papers that I used back in the 1970’s and 1980’s. Everyone that has seen and touched these prints comments on the quality, color and sharpness. It is expensive, but well worth the costs.
Maverick Grady (verified owner) –
This paper is top notch for high-end ink prints. It is used by numerous professionals I’ve worked for, as well as myself. The only downfall is is fragility. It scratched very easily, especially after it has been printed on. Also, this paper is thick and may require more care in loading into the printer.
Ernest Block (verified owner) –
I use this paper in 13×19 for exhibits and general display work. However, I use Epson’s Vevet Fine Art or Hot Press Bright most of the time as I do a lot of portrait work and prefer the D-max and overall tonal quality of mat papers for portrait work. On the plus side, Exhibition Fiber is a very sturdy, heavy weight paper with good D-max and nice surface. I will continue to use it for my general Go-To paper.
Tierra Kulas (verified owner) –
I love this paper. I never had any problems with it. My photographs look great on this paper!
Rosalinda Tremblay (verified owner) –
This paper is great for prints that feel like fiber black and white prints but are digital color. Does not bend like other papers and just the perfect pearl finish.
Theo Kutch (verified owner) –
I’ve been using Epson’s Exhibition Fiber Paper for some time now. The finish is wonderful and the final results never fail to impress. Good for color and black and white photos, this paper is a must.
Kaylah Gleichner (verified owner) –
I love this paper. I use it mainly for larger prints, often portraiture but also for landscapes and composite imagery. I use it for both color and black and white, printing on the Epson 1900, 2200, and 2880 models. I prefer to use the Premium Luster paper setting (when not using a custom profile) instead of the recommended Glossy setting. I feel that I get richer prints from the Luster setting. I have no trouble with paper loading as I have with similar papers. I have a few other favorites, but do grab Exhibition Fiber by the bunch whenever I can find it on sale 🙂
Jammie Klein (verified owner) –
This is a very nice paper. I have only used it with an Epson 3800 in black & white, but it produces very satisfying black & white prints. It has no distracting texture, and has a nice weight. Harmon Gloss FB seems to have more gloss but the surface is very easy to scratch. There is no bronzing and it has very deep blacks.
Zora Okuneva (verified owner) –
I did not think Epson would make a photographic paper this good. Color, depth, look and feel are just about perfect.
Francisca Greenholt (verified owner) –
The paper produces great blacks! Really good quality paper to create b&w images.
Eva Von (verified owner) –
Great color, deep blacks, sharp images and heavy weight.
Terrill Dietrich (verified owner) –
This paper is gorgeous. I have printed color and B&W and both look fantastic. I love the heavier weight of this paper over Epson Premium Luster (although that is a great paper also). The “look” of the paper is not glossy, not matte, and not really luster-very similar to Ilford Gold Fibre Silk…but not quite. The images are beautiful. IMO, this paper is worth the price.
Gerald Adams (verified owner) –
I love this paper for black and white prints on my Epson 3880.
Ted McLaughlin (verified owner) –
Shows detail without the light reflective characteristics of glossy paper.
Summer Hammes (verified owner) –
It prints wonderful colors and rich black and whites. If you have a printer that can use it, it’s the best!
Taya Schmidt (verified owner) –
I purchased this paper to use with the Epson Stylus Pro 3800. I print both color and B&W photos and want the best quality image using archival materials. The paper has a gloss finish. If the image one produces is a good one, this paper will help you produce a beautiful final product.
Dena Sporer (verified owner) –
I use this paper in the majority of my gallery exhibitions. It has a nice presence in gallery lighting. I like to spend my time taking photos and marketing my work. I do not enjoy monkeying with a gazillion printer/monitor settings on my computer. Since I own an Epson large format printer, it is nice that everything is geared up to go and I can get outstanding prints with minimal tweaking. This paper has an elegant look and feel that gallery owners like in presenting to their clients. My only beef about this paper is that it scratches easily. I use a clear u/v spray over all my prints to ensure that I do not lose quality with prints on this paper. This is an excellent, cost effective paper to get your prints out and sold to the public.
Lenna Stroman (verified owner) –
I have an Epson 2880 and want to print 16×24 and so I got a roll of the EFP and cut it into 25 sheets and flattened them out. Works great, but it would be nice if they made 17×25 paper.
Christophe Armstrong (verified owner) –
Fine art photographic paper choice is very subjective. The baryta evangelists are all over the board on what they consider the best paper. In my humble opinion the differences are subtle and, yes, personal. This is a great paper. Some say it is too white. White is white and this paper is, white, bright, vibrant, sharp and stunning especially when printed up using Ultrachrome HDR inks on my Epson 7900. I like it. My customers like it. When Epson offered their recent promotion, I snapped up a bunch of it. Too bad it doesn’t come in rolls, but I must admit Epson packages the sheets extremely well, protecting the edges and corners better than any other paper manufacturer I have used. … The profiles from Epson are quite good. This is a very fine paper. I will continue to use it. It sells.