Epson Exhibition Fiber Photo Inkjet Paper (64″ x 50′ Roll)
$449.25
In stock
Description
The 64″ x 50′ of Epson Exhibition Fiber Photo Inkjet Paper features a 12 mil thickness and a gloss finish. This fiber-based photo paper is designed for color as well as black and white prints and features an ISO brightness rating of 111%
Additional information
| Weight | 21.7 lbs |
|---|---|
| Dimensions | 65.9 × 5.5 × 5.3 in |
| Basis Weight | 325 gsm |
| Thickness | 12 mil / 0.3047 mm |
| Brightness | 111% |
| Single/Double-Sided | Single |
| Surface Finish | Glossy |
| Dimensions (W x L) | 64" x 50' / 163 cm x 15.2 m |
Reviews (373)
373 reviews for Epson Exhibition Fiber Photo Inkjet Paper (64″ x 50′ Roll)
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Kellie Deckow (verified owner) –
Here is the paper of the traditional darkroom user’s dream. As a long time creator of darkrom prints I have been looking for an inkjet paper that would parallel the best wet paper processes. I look for a good fiber paper which has a solid feel. Epson Exhibition Fiber effectively reaches that standard and, in my opinion, even surpasses it. The surface recalls that of a fine fiber double weight glossy paper after it was washed, fixed, and air dried. It reproduces tonalities well, whether producing color or black and white prints. I especially like the 17×22 size since it is sturdy enough to take handling, despite its size, during the printer processing, without fear of damaging the surface. All in all, this Epson paper is capable of producing a print of exhibition quality. As a long time profesional photographer and former professor in the photography department of a New York State university, I back up my statement with years of experience. Finally, compared to other premium fiber papers being offered, I think it is very competitively priced at B&H.
Nicklaus Armstrong (verified owner) –
I use this paper for the final image once I have tested the image on Luster paper. I print on an Epson R3000 and am amazed at the depth of the blacks achieved with this paper. My friends are impressed with the thickness of the paper when I give them an image. I’ve had no quailty issues with the paper whatsoever. No dust, scratches, or imperfections. I highly recommend this paper.
Alexane Yost (verified owner) –
This has to be Epson’s finest paper. It’s glossy, but it isn’t near to being the glossiest. (I think Harman FB Al wins that contest.) It’s got a nice surface texture too. Overall, it makes prints look great without picking up too much glare. Nice paper.
Rubie Swaniawski (verified owner) –
This Epson Paper is consistently outstanding and my clients really appreciate it!
Everett Volkman (verified owner) –
Great paper, the Exhibition Fiber is phenomenal. Personally , I like the 13 x 19, great texture, soft gloss and B&W or color prints are amazing. Good stuff!
Antonio Ledner (verified owner) –
I ordered this not realizing that it’s designed specifically for K3. After some trial and error, it produces very fine portrait prints. Paper Type: Ultra Premium Luster ICC: SPR2000: Premium Luster. Skin tones are accurate and are very well saturated. Bottom line: For UltraChrome ink, this produces very good results, but there are better choices for R2000.
Kaleigh Stracke (verified owner) –
I usually use Luster but use this heavier weight when printing large because it lies flater behind glass. The color does change a bit between Luster and Exh Fiber btw.
Audra Sipes (verified owner) –
After I finally unboxed my Epson 3880 (after sitting unopened for over 2 years!) I struggled to get a good print out of it. I was concerned it may be the old ink, but test sheets showed no issues with the head, etc. Of course I used the NEC monitor calibrator, paper profiles, and all the other things that were recommended, but the images came out muddy, dark, and dull. At the time I purchased about 5 different Epson papers that I thought might be good for my type of image but one after another, the only thing that the printer produced were lack-luster images – and no where near like what was on the NEC monitor. Since one of the papers that I purchased was the Exhibition Fiber, I tried that next — I couldn’t believe what a difference that made! The same images that were dull and dark, were now sharp, vibrant, and exactly like the monitor! It was like the printer suddenly came to life. Although I think there might be some images where I may want to use the other paper, for the most part, I’m sold on the Exhibition Fiber.
Loma Cartwright (verified owner) –
If date back to darkroom days, you may recall that there was a paper that had a gloss surface that, if allowed to dry naturally would provide an attractive semi-gloss surface for many types of prints. Exhibition Fiber does a great job mimicking that paper, has a wide color gamut (at least while printing on any of the Epson x900 printers) and produces gorgeous black and white prints if the tones are in the digital file. It also has a hefty thickness that feels great in the hand.
Fermin King (verified owner) –
This paper is just what I needed. The prints stand out and look great.
Tatyana Schmeler (verified owner) –
Semi-pro photographer. Tried Exhibition Fiber paper and was blown away! Colors leap off the paper, and there’s NO ink gloss variation, just a smooth and natural color transition. Once you see the results you won’t use anything else. It has the look and feel of traditional darkroom prints, only better.
Gwen Klein (verified owner) –
This luster fiber paper is heavier so it never sags behind the glass like my previously framed photos!
Brenden Brakus (verified owner) –
I normally use the pro luster paper, but this is even better. It’s crisp and clear and shows incredible detail. I tried the fine art velvet paper too and I’m sure it’s good for when deep blacks aren’t needed, but for what I shoot (animals mostly) I much prefer the exhibition fiber paper.
Julie Kemmer (verified owner) –
Great surface and weight and perfect for my B+W images
Chasity Treutel (verified owner) –
great paper so far ,i have used half of the 25 sheets great colours
Manley Kemmer (verified owner) –
I like this paper quite a bit. I feel it does a good job of accurately portraying colors and has just enough texture to give my images a 3d feel. My only complaint is that I could not find anywhere that told me how to set up my printer and I had to contact epson for the information. In addition if you do not have an epson printer I do not know where you could find a printer profile.
Addison Heaney (verified owner) –
It’s great paper – must try.
Sarai Gerhold (verified owner) –
I like the thickness of this paper.. And the print quality is very good. As rich as the Luster paper, only much heavier..
Cale Kertzmann (verified owner) –
I have been a regular Exhibition fiber user in B&W and color for many years and find the current Signature Worthy edition to be an improvement over previous (white box) production runs. One of my past pet peeves was the paper’s curl that made feeding into my Epson P800 an occasional challenge. Still not as flat as the Hahnemhle Fine Art Baryta Glossy but close. The surface texture appears slightly more pronounced than before though smooth enough to clearly differentiate its from the Hahnemhle. Finally, when looking for the paper with the greatest tonal range and highest d-max Exhibition Fiber remains my go to paper.
Malinda Senger (verified owner) –
I use this for B+W exhibition printing. It has surface and paper weight that works for me. No cons.