Moab Moenkopi Unryu Paper for Inkjet – 44″ Wide Roll – 49′ Long
$273.62
In stock
Description
Literally translated as “cloud dragon paper”, Moab Moenkopi Unryu paper is made by adding long course fibers to a wet layer of Kozo (mulberry) fiber on the mold. It is a highly decorative paper which is perfect for adding depth to a print. Moenkopi Unryu paper is a natural white with a basis weight of 55gsm.
Additional information
| Weight | 5.7 lbs |
|---|---|
| Dimensions | 44.5 × 4.5 × 4 in |
| Basis Weight | 55 gsm |
| Single/Double-Sided | Single |
| Dimensions (W x L) | 44" x 49.2' / 111.8 cm x 15 m |
Reviews (8)
8 reviews for Moab Moenkopi Unryu Paper for Inkjet – 44″ Wide Roll – 49′ Long
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Chelsie Cronin (verified owner) –
I had tried a sample sheet of this paper and loved it. I had a project to create several small wall hangings for a gallery presentation and bought a pack based on the results from the sample test. The ICC profiles from the manufacturer were spot on and the project was a huge success. The silver threads running through the paper add a very nice touch to the oriental feel of the paper. I may plan to do some larger hangings with larger sheets. Be aware that this is a one sided paper. Be conscious when loading paper in your printer.
Jorge Strosin (verified owner) –
this paper is just magic for me and i am so pleased to have been able to find it and purchase it from you guys
Asha Marks (verified owner) –
Not for everything but an amazing art paper for the right shot…slight see through, almost vellum feel with tons of texture….
Thad Kertzmann (verified owner) –
This paper is mulberry with strips of silk (embedded) and is a specialty paper. If you have a photo that should have this special look that is particularly oriental this is a nice paper. It is lightweight, but it was processed on the Epson printer without incident.
Webster Lueilwitz (verified owner) –
My original intent for this paper was to create back lit images. I had read user how to’s that said it is best for low contrast images that have little information in darker regions and my experience is this is an essential image characteristic to print on this media. My goal was to create water color like prints and it will require a lot more work to achieve this look. The large fibers so far have not presented as a compelling print feature. Still looking for the best images to print but I have abandoned back lighting was a display method.
Katrina Pagac (verified owner) –
Brilliant paper for the right project. I printed on it (beautiful saturation and detail) and used it for the endpapers on an historic bookbinding project. Although not historically “accurate” it added the perfect amount of texture while remaining light and strong enough for the rigors of a life of opening and closing over and over. It is hard enough to find an inkjet artpaper that is light in weight. But to find one that is also strong (due to Kozo and hemp fibers) and filled with character (the larger fibers) makes this a remarkable find..
Lyda Bergnaum (verified owner) –
I have tried a few of the thinner papers, this being one of them. Because of the texture of this paper it seems to me most suitable for something aspiring to fine art. I was careful of what area of my photo would print on which area of the paper. First try came out looking great. The second sheet became twisted and folded in the printer almost immediately as the paper started to pull through. I was using an Epson P700 on A4 paper. I suggest experimenting with it a few times to see how it works for you.
Avery Crona (verified owner) –
I got an 8.5 x 11 sample of this tissue-thin paper, and with a little coaxing, it fed into my Epson SC-P900 printer. I liked the results so much that I ordered the 13 x 19 pack of 10. That was a whole ‘nuther ballgame. The problem is that the paper’s leading edge collides with the strip of rollers that’s in front of the printhead track. Loading from the back or front makes no difference. I wasted two of those large sheets trying. Luckily, there was no printer damage. The only thing that did work was to tape the leading edge of the Unryu paper to a larger sheet of stiffer paper. 1. I centered the Unryu paper on a reject 17 x 22 Canson Platine print, and taped the leading edge to the Platine. 2. In Photoshop I set the paper size at 17 x 22, and centered the 13 x 19 Unryu on it. 3. In Photoshop I confirmed that the ICC printer profile was MOAB+Moenkopi+Unryu+P900+Washi.icc. 4. On the printer I set the paper type to Platine’s Ultra Premium Photo Luster.