Produce fantastic prints with vivid colors and high sharpness with the matte surface of Entrada Rag Bright 300 from Moab. Machine-made from 100% cotton fiber, this double-sided paper offers superb ink handling and a traditional feel. It also incorporates some optical brightening agents to reach a brightness of 103% and a whiteness of 95%. Also, the 22.5-mil thick sheets are acid and lignin free as well as water resistant and calcium carbonate buffered in order to ensure true archival longevity.
This paper is available here as a 25-pack of 8.5 x 11″ sheets.
Makenna Pacocha (verified owner) –
I love Moab papers, especially their rag papers. Entrada Rag Bright 300 is a heavy paper which feels natural and luxurious to the touch. Although it’s double-sided, I use it as a single-sided paper for fine art prints for exhibition or portfolio work, particularly for matte black and white prints. It’s the perfect combination of reasonable price and terrific quality. The tonal range is superb and I find that the D-max is better than most matte papers. It’s also more neutral-toned, which is what I want. If I want warm-toned prints, I’ll tone my prints! Strongly recommended. While Epson Cotton Rag papers (bright and natural) are also very high quality and almost indistinguishable from Moab’s, if you’re not printing with an Epson printer, you can’t get access to icc profiles for Epson papers. Moab is not just a great alternative, it’s the paper to use, whether you have an Epson printer or not.
Sedrick Nienow (verified owner) –
I use Moab’s Entrada Rag Bright paper for greeting and holiday cards. The print quality is excellent with extremely vibrant whites. The 5”x7” paper size is somewhat rare these days, and very good for a final 3.5”x5” card size. The only drawback I’ve encountered is printing on my Epson Stylus Photo R2400 printer…the paper does not always make it through without skipping and some smudging towards the end of the print. However, some minor planning when laying out the image to be printed can help avoid any critical errors.
Constantin Corkery (verified owner) –
I love Moab Entrada paper, perfect for monochromatic work. B&H is where you want to shop. Free expedited shipping, lightning fast delivery.
Arlie Schultz (verified owner) –
When paired with my Canon Pro-100 printer I get amazing results from this paper. The images are crisp and clean and the brightness of the paper makes all the colors look as true as the original. I also love that this paper is double sided so I can’t a mistake and put it in the wrong way. I highly recommend this paper.
Damian Jones (verified owner) –
Have been experimenting with different photo papers and this is by far my favorite. If you need to buy premium paper buy this one to get great results.
Efren Zboncak (verified owner) –
I have just begun to use this paper and it seems to be of good quality. I am using it for black and white prints and have begun to color in it with marshall color pencils. It seems t hold the color in well although it does not get the same quality that agfa papers that I used for enlarging in the darkroom did. Still, a good quality paper and the colors look good on them.
Chase Casper (verified owner) –
Used this wonderful paper for my portfolio prints and at present a series of customer botanical garden notecards. People literally have to refrain from touching it and hover their hands a few inches away. It makes me so happy to see this happen. I would be hard pressed to use anything else…just love it.
Gaylord Grimes (verified owner) –
A little context: I used this paper for printing in a photography class, but now I will use a lab for my prints for my business and I haven’t found a lab that uses this paper, so I don’t think I will be using it again. I loved using it in my class though. The colors are really nice, the contrast is maybe a little softer on the paper than on the screen (but I like that), and the paper feels sturdy. I prefer matte to glossy paper because I don’t like the sheen on glossy papers. I also like that it’s double sided.
Austin Wyman (verified owner) –
I am used to using Epson Hot Press bright this paper is distinctly whiter and has slightly more surface texture. Other reviewers have said it is slightly warmer in tone, I am not sure that is true what I have noticed is that the paper is marginally more sensitive. The tonal range seems excellent.
Jenifer Hudson (verified owner) –
Colors are rich, but ink has to dry completely before true colors come out
Claudie Rogahn (verified owner) –
This paper is slightly warmer and has slightly more texture than Epson Hot Press Bright which is my standard paper. The slightly warmer tone works very well with most images and the larger 17 x 25 size is closer to the aspect ratio of a full frame camera’s sensor. Prints made on the Epson 3880 with this paper look great. The fact that you can print on both sides makes paper handling easier and reduces the cost of test prints.
Candace Stracke (verified owner) –
good toothy paper. blacks loose a little punch but over all, i was pleased.
Stanton Schuppe (verified owner) –
This is my go to fine art paper. Makes fabulous prints – both black & white and color – on my Epson P800. And the 100 sheet box provides the best per sheet price.
Jimmy Cole (verified owner) –
Love every aspect of this paper. Excellent for printing certificates. Colors stand out well, as does B&H!
Carmela Schroeder (verified owner) –
This is our one of our goto’s for bulk wedding photo prints.
Clark Herman (verified owner) –
This is my go-to double sided fine art paper. It isn’t quite my favorite matte fine art paper overall, I prefer a bit more texture in a textured paper, and a bit more smoothness, DMax and gamut in a smooth matte paper. However this is hands down the best double sided fine art matte paper I’ve ever found. I use it all the time for cards and other presentation items that I want to impress on both sides. Durable for handling as well.
Marianna Halvorson (verified owner) –
I used this for small test prints before printing full size prints for my portfolio. The portfolio paper is 190 GSM, however the difference in weight doesn’t seem to make a difference in the print output. Perfect for test prints, or small fine art prints. I love the thick weight and texture, however, make sure to brush the surface of the paper before printing!
Lincoln Satterfield (verified owner) –
This is great fine art paper for artwork prints. I am very happy with it and will order again.
Reymundo Durgan (verified owner) –
This paper is really good for people pictures, has great saturation with vibrant colors. Prints well with my Epson 1400
Hattie Larson (verified owner) –
For the price line this paper is exceptional. It has a velvety look and is wonderful for fine art prints.