Produce fantastic prints with vivid colors and high sharpness with the matte surface of Entrada Rag Bright 300 from Moab. Machine-made from 100% cotton fiber, this double-sided paper offers superb ink handling and a traditional feel. It also incorporates some optical brightening agents to reach a brightness of 103% and a whiteness of 95%. Also, the 22.5-mil thick sheets are acid and lignin free as well as water resistant and calcium carbonate buffered in order to ensure true archival longevity.
This paper is available here as a 25-pack of A2 16.5 x 23.4″ sheets.
Korbin Abshire (verified owner) –
Un excelente papel de algodn que reproduce los colores a la perfeccin. Todava no prob el natural, este brilla realmente poco, yo dira que es mate en lugar de brillante…. en estos das lo comparo con el otro
Nikko Pfannerstill (verified owner) –
This is my go-to double sided fine art paper. It isn’t quite my favorite matte fine art paper overall, I prefer a bit more texture in a textured paper, and a bit more smoothness, DMax and gamut in a smooth matte paper. However this is hands down the best double sided fine art matte paper I’ve ever found. I use it all the time for cards and other presentation items that I want to impress on both sides. Durable for handling as well.
Jeanie Wehner (verified owner) –
I print my art on it. Paintings and drawings for sale. The results are outstanding. Crisp, clean and vivid colors. I also love that it’s thick -300gsm and you feel it, like a card. (Not all 300gsm are created equally, sometimes you can feel the difference in their thickness). For photography – it is not bad, although for me photography should be printed on glossy paper – for sharpness and contrast. Matte paper gives photography dull edge, especially if it has even the slightest trace of texture on it. Perfect for me size – 5×7, in good quality papers it is hard to find. Overall perfect for me – for printing very colorful art in size 5×7. Of course I will buy again. I print 1 page at the time, but I do it with all papers.Very good value for the money.
Rylan Mueller (verified owner) –
35mm format fits full frame 16×24 images perfectly. I use this instead of Epson Hot Press Bright, where the 17×22 size paper is great for the 645 format. It’s a little thinner but very nice!!
Joshua Pacocha (verified owner) –
I love the clean whites with color prints. Like any matte paper you need to be careful with the low tones blocking up. For B&W try the Entrada Rag Natural.
Lue Bechtelar (verified owner) –
Love this paper. Using profile provided by Moab, it prints beautiful, accurate prints from my Epson P 600.
Tiara Nitzsche (verified owner) –
I use Moab paper for just about everything and this 5×7 size is perfect for printing direct mail promos. The only downside I can see is that sometimes it’s difficult to load in my epson r2400. It takes some delicate coaxing to get the paper to take correctly every time.
Janick Feest (verified owner) –
I use Moab Entrada Rag Bright 300 Paper to print my landscape products. I use it in my Epson R1900 Photo printer and it works great. The color rendition is excellent. I have no problem feeding it into my printer. I would recommend it to my friends.
Hugh Nolan (verified owner) –
Especially for warm skin tones, where radiant, smooth skin is presented, this is an outstanding choice. With experience, we favor certain papers for certain types of images, and I think this is tops for portraits of children and young women in soft light. Sometimes matte paper just work best, as in the cases mentioned here.
Reva Schulist (verified owner) –
Basically this has become my go-to matte printing paper for black and white fine art images. I’m currently printing my Paris portfolio on the 11×17 size. While I consider Epson’s Cotton Rag equally good, I don’t use an Epson printer (and so don’t have access to their icc’s, and I find it annoying that Epson doesn’t offer their icc’s for other printers–unlike EVERY other paper on the market!). Also, Epson keeps changing their paper line. I think Moab papers are excellent in general–less expensive than Hahnemuhle’s papers and very close in quality. With my black and white photography, it has a lovely surface, responds great to my Canon inkset (ProGraf Pro 1000 which I ALSO recommend highly, if you can live without roll paper), and feels like fine art. I recently bought the thinner, 4×6 version of this paper just to do proof prints to make fine adjustments, but for anything final I would recommend the 310 gsm version of this paper.
Maud Doyle (verified owner) –
the weight is amazing.
Adrien Harris (verified owner) –
I have been using Moab products for years now and I can say that it is one of my favorites. Quality I can count on. Prices that are reasonable. I sell most of my fine art images on this paper. Excellent.
Wayne Oberbrunner (verified owner) –
I used it to make wedding invitations and they came out with vibrant colors and a very creamy paper texture. The printer profiles from their website worked perfect with my Canon PixmaPro 9500.
Jefferey Hettinger (verified owner) –
I use this product for portraits printed on art paper, I like it thickness and it has a rich feel about it. A little heavy for rolled prints so I try not to use it for if that issue is a problem. I am satisfied with the color gamut on my epson printers. It does have OBA but I have never had an issue with this and like the brightness.
Chloe Altenwerth (verified owner) –
I needed to print postcards for a class and these worked very well. It’s a nice, thick paper and the prints looked great!
Shawna Rolfson (verified owner) –
I love Moab papers, especially their rag papers. Entrada Rag Bright 300 is a heavy paper which feels natural and luxurious to the touch. Although it’s double-sided, I use it as a single-sided paper for fine art prints for exhibition or portfolio work, particularly for matte black and white prints. It’s the perfect combination of reasonable price and terrific quality. The tonal range is superb and I find that the D-max is better than most matte papers. It’s also more neutral-toned, which is what I want. If I want warm-toned prints, I’ll tone my prints! Strongly recommended. While Epson Cotton Rag papers (bright and natural) are also very high quality and almost indistinguishable from Moab’s, if you’re not printing with an Epson printer, you can’t get access to icc profiles for Epson papers. Moab is not just a great alternative, it’s the paper to use, whether you have an Epson printer or not.
Mattie Klein (verified owner) –
This is a very classy rag that becomes part of the art with its weight and surface quality. Prints great with rich colors.
Michel Dach (verified owner) –
I use this paper with Canon Pixma Pro-10. B&W picture printed on this paper has very deep black, which I somehow expected. Surprising to me, this paper is also very good for color portrait. Skin tone is very natural. All colors are naturally saturated. The paper can be printed on both sides, making it a good media for photo book.
Harry Nitzsche (verified owner) –
I love the way my color images look on this paper
Denis Stracke (verified owner) –
Entrada has a high Dmax to produce rich black tones in black-and-white photographs. I am using it with an Epson P800 inkjet printer to print books (gsm 190 version) and calendars. While not as high a Dmax as Epson Velvia it does not require running it through the front loading tray.